Barbara Tomash

Of Luminous 

my dear dead friend my euphoric interior moon is it possible your red streamers emit not a shred of observable light we stand still in your path we waver entangled in seeds  of  burning  branches parallel syntax unerring alliteration flaming where not even a vowel is consumed you have for question I am what for obituary I am irretrievable you have  arms legs throat  breast hands  we  wash  orifices we cleanse  eyes and jaw tied shut with strips of clean cotton cloth you fell out of orbit the oceans boiled I hid inside the glare of all mirrors such is the delineation of what  is  lacking  where  I went blind


Of Innocence

 

daughter  help  me  scare  birds from the corn come pull weeds harvest fruit spread dung thresh and  gather  sheaves  daughter build a sleeping nest hurry aren’t we called allmothers aren’t our children  like  elephant  calves born  blind  too  weak  to  be counted you could disappear at any time was your mind born blank daughter tabula rasa come help me file tax forms health insurance applications loan applications refugee status attestations hurry pry open the leaded  doors  child  come  purify the air why fill with bitterness the fleeting early days of childhood remove from ocean vortex the minute particulars wipe oil off a gull’s wing refreeze the ice caps child let your blossoming lustful age  begin  as  summer  fire  as  a spirit easily drawn to vengeance disobedience and riot


Of Autobiography

 

my dear dead friend should I tell of  the  animals  who  never  sleep of the break down of the body how it branches out leaves gaps and gnaw marks how in delirium how in the four walled twilight I searched for your house outside the city should I tell of the garden where I am buried in a text of nowhere and tangled thoughts how migrant birds in their joyful placeless sky beat away our fleshless music with their wings should  I  tell  how  disintegration is a body of illegible words scratched in the margins with a stick my dear friend shall we live nowhere shall we not care how things turn out


Of History

 

history is an argument I used to decorate my body with abstract designs knowledge is simply too fragile  to  scoop  and  transfer  if this is paint it proves I can think symbolically I am a human interested  in  other  humans  I carve out tens of thousands of years  with  a  stick  curled  up bodies exposed beneath a dry clump  of  dirt  there  is  no privacy so very close to death I tell you over three hundred species of beetles are eaten as food in our mouths  hard  wings  soft  wings and pupae like words rupturing easily just before singing

 

Barbara Tomash is the author of five books of poetry including, most recently, Her Scant State (Apogee), PRE- (Black Radish), and Arboreal (Apogee); and two chapbooks, Of Residue (Drop Leaf Press), and A Woman Reflected (palabrosa). Her writing has been a finalist for The Dorset Prize, the Colorado Prize, The Test Site Poetry Prize, and the Black Box Poetry Prize. She lives in Berkeley, California, and teaches in the Creative Writing Department at San Francisco State University.