Summons in the Form of an Invasion // 37 Panoramic Views of Edo
Steve Barbaro
The Bird Girl
Jessica Cuello
“The ply of spirits on bodies": Diaspora and Metamorphosis in Donald Revell's “Short Fantasia"
Mark Irwin
Morning Quake // Friday's Quake // Sunday's Quake
Jacqueline Lyons
Review of Norman Finkelstein's The Ratio of Reason to Magic: New and Selected Poems
Andrew S. Nicholson
To Sing, In Dixie // The Extinct Fresh Water Mussels of the Detroit River // The Ivory Gull Under the Bridge Over the Flint River // Noon in a Corner Café: The Sign
Terry Blackhawk
Saints, Tonguing
Mitchell Glazier
Sonnet II
Louise Labé, trans. Leah Souffrant
Damned // The Last Word
Tim McCoy
Poem for the Unborn // Classical Mechanics // Indigenous Plants // Thirteenth Wedding Anniversary
Nicole Walker
A Change in the Frequency by Megan Chapman
Megan Chapman is an abstract painter. Chapman's work is an intuitive, visual diary of her interior language. The foundation of her work is in the balancing of shape and line with color, texture, and atmosphere. Chapman enjoys creating meditative places to get lost in, as well as dynamic spaces to explore relationships—such as how we dance between our inner and outer selves and each other. Her work uses color to explore our connection to the world as we navigate the push and pull of life. Chapman's paintings are in collections throughout the United States, Europe, Canada, and Australia. Born and raised in Fayetteville, Arkansas, Chapman earned a BFA with honors in painting from the University of Oregon and currently lives and works in Edinburgh, Scotland. For more information, visit http://www.meganchapman.com.