Lara Candland
from The Lapidary's Nosegay
Pare this sapphire (((apple)))
of s(u)perciliousbl(ue)
& b(o)lts of uns(ew)n watered silk
lodged in (((Great Aunt’s))) box of fascicles—
& wrapt around garnet br(oo)ches and sleeve buttons
foreign (((corals))) & came(o)s ((but (((Daisy))) never wears j(ew)els))
(((i))) conceal (((Her))) suffering within a stanza’s grey calyx
or beside a ((h(oo)ting owl))
&
(((god’s))) pier peeps (((out int(o) the emerald (o)cean)))
that unscr(o)lled wraith of salty br(o)cade
licks its prodigious will &
horrid tongue against the (((Glittering Dowerless Girl)))
wh(o)m (((god))) & the ((((o)cean))) had never met
&
then
The Tide/Went past my Simple Sh(oe)—/And past my Apron—and my Belt/ And past my Boddice—
T(oo)—And made as He would eat me up—/As Wholly as a D(ew).
(((of))) our n(ew) (((pearl)) bodies
:: afford our waves and their washings
And He [(o)cean]— He foll(o)wed—close behind—/I felt His Silver Heel/Opon my Ancle—Then my Sh(oe)s/Would (o)verfl(o)w with Pearl.
& Pauper's slit of silk & g(o)lden thread
(((She))) wanted (((g(o)ld))) lathings (((She))) got (((dove))) grey gloves
&
etchings notched in the sparse twig of the insect’s leg—thin enough to thread a pauper’s needle—
even the tiny gnat—the miniaturest of (((god’s))) (((gems)))
(((a midge’s thimble of beggary))) —
—lisped litanies & lists drowned by th(o)se sharp (((diamond))) tongues wh(o)
silenced (((Daisy))) in a cedar chest
the cillium in your left ((ear)) felt her breath m(o)ve their fringes
…
then: daff(o)dil swerveless before all creatures &
your blistering— j(o)b’s costly (((r(u)by))) carbuncles
& b(oo)tless cries—
tossing yell(ow) gems from (((Her))) sores—
int(o) the vexed and twining wind—
the (((P(o)et’s))) zephyr angry that her (((j(ew)el)))—
encrusted harp cannot be heard even with
the perf(u)med gale of (((His))) magnificent (((floral breath)))
…
(((Our Neglected Lady)))
(((Her))) wizardry & bright declaimings
outvisioning & outranking cr(u)cifixal rank
…
maddest (((diamond))) scratchings on vellum, declaimings, lathings—
the antel(o)pe's quick wizardry
(((The Antel(o)pe P(o)et ::
(((She))) runs but she cannot jump the (((Pearly fence))) & needs (((god)))
to lift (((Her))) (o)ver the gate
against the etchings of (((Her))) (((diamond)))-tongued predator)))
her (((onyx))) alphabet is engraven & (((parceled))) in yell(ow) t(u)lle—
your ((prayer)) a cedar chest of p(o)ems ajar—
& bulbs dropped
into l(oa)my furrows t(oo) early in spring—
&
. (((o))) ringing in my b(o)nes .
unlest lighted wind(ow)s
—(((shon))) from every evening—
.
suddenly unbraided stretch of agate r(oa)d (o)ver machine-stitched bl(u)e felt hills—
even minor (((stars))) adequate ((swinging their cups of (((chrysolite))) goblet))
& sn(ow)flaked diamonds—
the chill r(oa)ms beside me glad for (((god’s))) infinity as it ever were (& and &)
& (((Daisy’s Gh(o)st))) is here
Peeps onto that sleeping (((egg))) ((())) (((Our Lady’s virgin (((pearl))))))
eclipses ((my)) frittered day
the ditties &
the crumbs & the toddled hours
(((((Daisy’s))) days turn to t(o)paz like a lady’s pin))
& my tiresome (((r(u)by heart))) that (((She))) sc(oo)ped into her (((pearl basket)))
sc(oo)ping herbarium’s an(o)dyne
ont(o) my parched tongue (((&)))
((()))
sleep & (((c(oo)))) like (((Daisy’s D(o)ve))
t(o) w(oo)
& sleep &
& (((molten))) (((( ))))
m(oo)n (((watching)))
Quivering
(((o!))) (((opulent))) (((Queen of Heaven)))
((while we play at paste till qualified for (((pearl)))))
—& gossamer—
…stilly starry…
showers of (((pearls))) ::::::::::::::
((()))
int(o ) jumbled gushing midnight
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Lara Candland’s work has appeared in Fence, The Colorado Review, The Crab Creek Review, The Likewise Folio, Barrow Street, and many other journals. Candland is a poet and performer, as well as co–founder and chief librettist for the Seattle Experimental Opera. Her book Alburnum of the Green and Living Tree was published by BlazeVox Books, and her performance with Lalage—poetry, voice, and live electronic looping and manipulations, appears on the CD Lalage: Live on Sonarchy. Her operas Liquid Girls and The Archivist are available from Tantara and Un–labelled Records. Her opera Sunset with Pink Pastoral was a finalist in the Genesis Prizes for New Opera and was presented at Sadler’s Wells Theatre in London, as well as in Seattle, Vancouver, and Salt Lake City. Candland's next book, The Lapidary's Nosegay, is forthcoming from the Center for Literary Publishing at Colorado State University in early 2018.
More from Vol. 34, Issue 2
from The Lapidary's Nosegay
Lara Candland
Recuperating the Brilliant Picture: Language as Transubstantiation in Revell's Later Poems
Kathryn Cowles
Love Fool
Christopher DeWeese
Creatures No. 3 // Shift in the Ground
David Felix
Failure
Myronn Hardy
The Greener We
Heikki Huotari
In Swatchel-Cove
Matthew Moore
The Return from Calvary // Cut and Dried
Mary Ann Samyn
Manifold Evocations IV & XI
Terrell Jamal Terry
[ideo–] // [syn–] from PRE–
Barbara Tomash